Other thematic concerns involve the prevalence of masonic imagery in the story, perhaps gesturing toward the Masonic-Catholic conflict that swept the United States at the time of the story's composition, as well as the thematic device of enclosure, which Poe used in many other stories, although its presence in "The Cask of Amontillado" may allude to the popularity of live-burial literature in Poe's era.
Regarded as one of Poe's greatest and most famous tales, "The Cask of Amontillado" has attracted a broad range of commentary representing a wide spectrum of perspectives.
Critics generally agree that "The Cask of Amontillado" exemplifies Poe's theory of short fiction, in which every narrative detail of a successful story contributes to a single intense effect.
However, a consensus opinion about specific details remains elusive. Some scholars have disputed the time and place of the action in Poe's story as well as the national origins of the principal characters, while other commentators have suggested that the tale reflects Poe's personal bitterness in the so-called "War of the Literati," which resulted from a series of critical articles entitled "The Literati" that Poe published in Godey's Lady's Book just before "The Cask" appeared.
Psychoanalytic readings have emphasized the macabre and pathological elements in the work, ranging from the psychological implications of Montresor's "motiveless evil" and a perceived division within the psyche of Montresor, or even Poe, to personality transference between the characters.
Others have focused on "The Cask of Amontillado" as a practical application of Poe's theory of perversity, which hinges on apparent irrelevancies. The final line of the story has troubled many commentators: Henninger concluded that Poe "had been writing tales with startling endings, but [in The Cask of Amontillado'] he writes one guaranteed not to startle. When it does, the effect is so delightfully jarring and puzzling that it is not easily forgotten.
Why else should this story. Although many questions of literary indebtedness are open to discussion, still we can be reasonably certain that the origin of Poe's tale, "The Cask of Amontillado," was not wholly inspirational.
But in the immurement which marks the climax of "The Cask of Amontillado" and which Poe again used in the tale of "The Black Cat," both Bulwer-Lytton and Balzac may be disregarded as possible sources.
Headley was one of the most popular writers of his day, for up to over two hundred thousand copies of his works had been sold. In fact, the one review that he wrote of Headley, on The Sacred Mountains, may be regarded as typical of the Norman Leslie school of criticism. Poe was bitter, harsh, and ruthless.
In this review he gives evidence of knowing other works by Headley, for he writes that "a book is a 'funny' book and nothing but a funny book, whenever it happens to be penned by Mr. Although there is no exact evidence to show that Poe had read the Letters From Italy entire, there were other possibilities which might have brought one of Headley's letters containing the germ of "The Cask of Amontillado" to his attention. The letter appeared in the former in the issue of August, , which also contained Poe's article on "Mesmeric Revelation.
At this time Poe was no longer on the staff of the Mirror, but no Poe scholar will deny that he was in daily contact with the paper, so far as that was possible, throughout his later career.
His connection with the Mirror was especially sympathetic in the year , which marked the first appearance of "The Raven" in its columns. In view of these facts, it is not likely that Headley's letter describing an immurement was unknown to him. Nothing is more eloquent of this than his subsequent use of the material.
The letter by Headley may be summed up briefly. He and his companion enter the little town of San Giovanni, in Italy. They are shown through the church of San Lorenzo. In the wall of the church is a niche covered with "a sort of trap-door," containing an upright human skeleton. This ghastly spectacle had been discovered by workmen some years previous to Headley's visit, but it had not been disturbed.
Headley describes the skeleton in detail and concludes that the victim had died of suffocation after having been walled-up alive. The history of the In the first part, Felheim explains two requisites for Montresor to perfect his revenge; in the second part Moon accounts for Montresor's failure to exact revenge; and in the third part, Pearce compares Poe's story to a profane rite, or scriptural parody.
In "The Cask of Amontillado" there are two parts, equally important, to Montresor's revenge: Few, however, seem to have much to say about how Poe manages to achieve his extraordinary effect. The conflict stems from the fact that Montresor or his family has been the victim of some insult at the hands of Fortunato or his family.
The gravity of the situation is somewhat exaggerated by the narrator in the opening line of the story when Montresor states: At length I would be avenged; this was a point definitely In six pages this paper discusses the symbolism of the cask that appears throughout Edgar Allan Poe's compelling short story. Poe and his short story are considered in a paper consisting of five pages.
There is one other source cited in the bibliography This offers us a very powerful and self righteous look at these tw The morbid tale of revenge of "The Cask of Amontillado" is carefully depicted with crypt like wine vaults which eventually entomb Fortunato has a bad cough and so, on their way to the wine cellar, Montressor keeps giving Fortunato more wine In six pages this short story is analyzed in terms of male bonding and how the relationship between the men changes throughout the The reader is never informed of what Fortunado did to deserve this revenge.
In a way it is biased because the reader is led to believe that Fortunado deserves the revenge Montressor is plotting, when he may be simply overreacting.
It means that he is concealing his true motives and feelings beneath a deceptive exterior, that he is being two-faced in order to lure Fortunado to his death. Montressor eventually handcuffs him to the wall and builds up the bricks around him eventually suffocating him, which results in his death.
The narrator goes to the mansion in the first place to visit his childhood friend Rodrick, who lives alone with his twin sister Madeline. Rodrick is said to be emotionally and physically unwell, and Madeline suffers from catalepsy, and soon dies.
The two men entomb her body in a vault where she escapes from a week later.
What are five examples of verbal irony in the story "The Cask Of Amontillado"? Edgar Allan Poe's classic short story, "The Cask of Amontillado," is loaded with irony, and there are several excellent examples of verbal irony to be found.
In the story "The cask of Amontillado "by Edgar Allan Poe, Two friends" Montresor and Fortunato" fates are determined by one thing only, revenge and murder. In the story Poe uses a sense of deception to create an alluring character before escalating his symbolic strategy to a state of suspense.
- The Cask of Amontillado by Edgar Allan Poe In?The Cask of Amontillado?, Edgar Allan Poe takes us on a trip into the mind of a mad man. Poe uses certain elements to convey an emotional impact. He utilizes irony, descriptive detail of setting, and dark character traits to create the search of sinful deceit. In “The Cask of Amontillado” Edgar Allen Poe uses the dark, imposing setting to do just that, communicate the underlying theme of the story, being death, revenge and deception. Poe begins setting the tone of the story by describing the gloomy and threatening vaults beneath Montressor’s home.
The Cask Of Amontillado Essay Examples. total results. An Analysis of Pride as a Very Dangerous Thing in the Tales of Horror "The Cask of Amontillado" by Edgar Allan Poe. 1, words. 2 pages. An Analysis of Irony in The Cask of Amontillado by Edgar Allan Poe. words. 1 page. Irony and symbolism in "The Cask of Amontillado" greatly effect the outcome of Fortunato's well being. "The Cask of Amontillado" should be regarded as a slice of a horror story, which revolves around the theme of revenge and pride" (Levine 90). "Poe's story is a case of premeditated murder.